Carrie Reichardt describes herself as an ‘extreme craftivist and renegade potter’. This intervention was made over a short, intense period and mobilised the skills of a collective of mosaic artists. The intervention on the steps and façade of the Museum were made in response to the 2014 – 15 exhibition Disobedient Objects. It reflects the idea of a people’s history of art and design from below, and invites us to consider activist social movements as a significant part of our culture.